• Info

nuovaletteratura

nuovaletteratura

Archivi Mensili: agosto 2015

The First Asemic Exhibit in Russia – 2010

31 lunedì Ago 2015

Posted by nuovaletteratura in Senza categoria

≈ Lascia un commento

Tag

gleb kolomiets, The First Asemic Exhibit in Russia - 2010

The First Asemic Exhibit in Russia – 2010

The first asemic exhibit in Russia, April, 17 – May, 1, 2010

Curators: Gleb Kolomiets, Inna Kirillova

Email:
ardor@list.ru

Download: http://www.scribd.com/doc/30488056/The-First-Asemic-Exhibit-in-Russia-2010#scribd

Sarenco, An Anthology

31 lunedì Ago 2015

Posted by nuovaletteratura in Senza categoria

≈ Lascia un commento

Tag

an anthology, francesco aprile, redfox press, sarenco, utsanga.it

Nel mese di febbraio 2015 esce per le edizioni RedFox Press, Dugort (Irlanda), un volumetto, intitolato An Anthology, formato A6, nella collana C’est mon dada, che raccoglie una serie di opere significative del percorso autorale di Sarenco.

dada-sarencoRedFox Press # 93
SARENCO (ITALY)
“An Anthology”
http://www.redfoxpress.com/dada-sarenco.html
A6 format – 40 pages – laser printing.
Thread and quarter cloth binding
February 2015

Per altre informazioni: Aprile F., Sarenco: An Anthology, RedFox Press, 2015, in utsanga.it, #03, marzo 2015, http://www.utsanga.it/index.php/aprile-sarenco-an-anthology-redfox-press-2015/

Lamberto Pignotti, Vita Zero

31 lunedì Ago 2015

Posted by nuovaletteratura in Senza categoria

≈ Lascia un commento

Tag

1962, cristiano caggiula, Lamberto Pignotti, onyx ebook, utsanga, vita zero

pignotti zeroPignotti L., Vita Zero 1962, Onyx Ebook Casa Editrice Digitale, 2014, http://www.onyxebook.com/prodotto/vita-zero-1962/

Ulteriori informazioni: Caggiula C., Pignotti cinquantadue anni dopo: Vita Zero 1962, un utsanga.it, #01, settembre 2014, http://www.utsanga.it/index.php/caggiulapignotti-cinquantadue-anni-dopo-vita-zero-1962/

MUSMA, DRAFT 02. Performing Videoart & Music

30 domenica Ago 2015

Posted by nuovaletteratura in Senza categoria

≈ Lascia un commento

Tag

DRAFT 02. Performing Videoart & Music, FABRIZIO FESTA, MATERA, MIRKO MANCINA, MUSMA, RADIO3, SILGIA GRANDI

In occasione di mateRadio – la festa di Radio3, il#MUSMA ospita “DRAFT 02. Performing Videoart & Music“: le opere di 10 tra i più importati videoartisti del panorama italiano attuale, masicate da 19 musicisti di Materelettrica, il team di allievi della scuola di musica elettronica del Conservatorio di Musica “E.R. Duni” – Matera.

11954804_712205382216721_651995288008271292_n

Selezione video a cura di Silvia Grandi .4, 5 e 6 settembre negli orari di apertura del Museo.
http://www.musma.it/index.php?option=com_content&task=view&id=869&Itemid=113 Fabrizio Festa Antonio Mow Colangelo Mirko Macina

Edwin VanGorder, Verbal Visual Space Version 2. Visual Rhetoric and Art Ontology

30 domenica Ago 2015

Posted by nuovaletteratura in Senza categoria

≈ Lascia un commento

Tag

Edwin VanGorder, Verbal Visual Space Version 2

These works are sorrows of the torus as the stories of tomorrow ie the self mapping of non tragic projects in drawing sited to virtual space. In these drawings the traditional white background is embedded upon itself through the nachtraglechkeit or temporality of the work within the strange loops of the computer sleeve.

Immagine vero visual space

https://archive.org/stream/VerbalVisualSpaceVersion2/VerbalVisualSpaceVersion2?ui=embed#page/n1/mode/1up

>

An Anthology of Asemic Handwriting

29 sabato Ago 2015

Posted by nuovaletteratura in Senza categoria

≈ Lascia un commento

Tag

an anthology of asemic handwriting, uitgeverij

AA

An Anthology of Asemic Handwriting

Edited by Tim Gaze and Michael Jacobson

2013
ISBN: 978-90-817091-7-0
216 pages | 5,25″ x 8″
Language: English
Price: 15,00 Euro
http://www.uitgeverij.cc/publications/an-anthology-of-asemic-handwriting/

An Anthology of Asemic Handwriting is the first book-length publication to collect the work of a community of writers on the edges of illegibility. Asemic writing is a galaxy-sized style of writing, which is everywhere yet remains largely unknown. For human observers, asemic writing may appear as lightning from a storm, a crack in the sidewalk, or the tail of a comet. But despite these observations, asemic writing is not everything: it is just an essential component, a newborn supernova dropped from a calligrapher’s hand. Asemic writing is simultaneously communicating with the past and the future of writing, from the earliest undeciphered writing systems to the xenolinguistics of the stars; it follows a peregrination from the preliterate, beyond the verbal, finally ending in a postliterate condition in which visual language has superseded words. An Anthology of Asemic Handwriting is compiled and edited by Tim Gaze from Asemic magazine and Michael Jacobson from The New Post-Literate blog.

With contributions by: Reed Altemus, mIEKAL aND, Rosaire Appel, Francesco Aprile, Roy Arenella, Derek Beaulieu, Pat Bell, John M. Bennett, Francesca Biasetton, Volodymyr Bilyk, Tony Burhouse & Rob Glew, Nancy Burr, Riccardo Cavallo, Mauro Césari, Peter Ciccariello, Andrew Clark, Carlfriedrich Claus, Bob Cobbing, Patrick Collier, Robert Corydon, Jeff Crouch, Marilyn Dammann, Donna Maria Decreeft, Alessandro De Francesco, Monica Dengo, Mirtha Dermisache, Bill Dimichele, Christian Dotremont, Jean Dubuffet, Max Ernst, Mark Firth, Eckhard Gerdes, Mike Getsiv, Jean-Christophe Giacottino, Marco Giovenale, Meg Green, Brion Gysin, Jefferson Hansen, Huai Su, Geof Huth, Isidore Isou, Michael Jacobson, Satu Kaikkonen, Jukka-Pekka Kervinen, Rashid Koraishi, Irene Koronas, Edward Kulemin, Le Quoc Viet & Tran Trọng Duong, Jim Leftwich, Misha Magazinnik, Matt Margo, André Masson, Nuno de Matos, Willi Melnikov, Morita Shiryu, Sheila E. Murphy, Nguyen Duc Dung, Nguyen Quang Thang, Pham Van Tuan, François Poyet, Kerri Pullo, Lars Px, Marilyn R. Rosenberg, Roland Sabatier, Ekaterina Samigulina & Yuli Ilyshchanska, Alain Satié, Karen L. Schiff, Spencer Selby, Peggy Shearn, Ahmed Shibrain, Gary Shipley, Christopher Skinner, Hélène Smith, Lin Tarczynski, Morgan Taubert, Andrew Topel, Cecil Touchon, Louise Tournay, Tran Trọng Duong, Lawrence Upton, Sergio Uzal, Marc van Elburg, Nico Vassilakis, Glynda Velasco, Simon Vinkenoog, Vsevolod Vlaskine, Cornelis Vleeskens, Anthony Vodraska, Voynich Manuscript, Jim Wittenberg, Michael Yip, Logan K. Young, Yorda Yuan, Camille Zehenne, Zhang Xu, & others

arTronic, Anthology of Sound and Visual Poetry and Video Art. Vol.1 2008/2009

29 sabato Ago 2015

Posted by nuovaletteratura in Senza categoria

≈ Lascia un commento

Tag

alerij SILIVANOV, Alexander Bubnov, Alexej Sosna, Amanda Stewart, Anna ALCHUK, Another Hemisphere Records Label, Anthology of Sound and Visual Poetry and Video Art. Vol.1 2008/2009, artronic, arTronic Audio Magazine, Danila Davydov, David Moss, David Stran, Dina Gatina, Dirk Huelstrunk, Dmitrij Strotsev, Drugoe Polusharie Magazine, Dzmitry Dzmitryjeu, Edgar SCHERSTJANO, Elena POPOVA, Evgenij V. Kharitonov, Hartmut Andryczuk, Hartmut Geerken, Isabeella Beumer, Joerg Piringer, Lezin, Mark W. SUTHERLAND, Michael Lentz, Razxca aka Mikhail Gusenkov, Sergej Birjukov, Snezhana REIZEN, Tim Gaze, Valeri Scherstjanoi, Viktar Zhybul

arTronic

Anthology of Sound and Visual Poetry and Video Art

 

VOL. 1: 2008/2009

EDIT. by Evgenij V. Kharitonov

PUBLISHERS:

Drugoe Polusharie Magazine (Russia);

arTronic Audio Magazine 9Russia);

Another Hemisphere Records Label (Russia)

2009

(с) Evgenij V. Kharitonov 2008

(с) Authors and Composers 2008

(с)Mikhail Lezin: cover

artronic vol1

CONTENTS:

  1. WORLD SOUND POETRY

[Total time 4 hours 10 minutes 19 sec.]

 

AUSTRALIA

  1. Amanda Stewart (Australia) – it Becomes July 1984 (0:50)
    2. Amanda Stewart (Australia) – IXIT (6:33)
    3. Amanda Stewart (Australia) – Mathematical Symbol (8:14)
    4. Amanda Stewart (Australia) – mt (4:33)
    5. Amanda Stewart (Australia) – Sound and Sence (1:18)
    6. Tim Gaze (Australia) – Welwelwelcome (0:37)
    7. Tim Gaze (Australia) – Electronic music (1:00)
    8. Tim Gaze (Australia) – Acoustic medley (1:08)
    9. Tim Gaze & David Curnow (Australia) – Tim’n’Dave Part 1 (3:17)
    10. Tim Gaze (Australia) – Phonemes (2:13)

AUSTRIA
11. Joerg Piringer (Austria) – Evil (1:43)

BELARUS
12. Dmitrij Strotsev (Belarus) – Tri bogatyrya (1:36)
13. Dmitrij Strotsev (Belarus) – Syraya doch’ (1:52)
14. Dmitrij Strotsev (Belarus) – Khlebnikov (Live in Festival Lapa Azora 2008) (0:27)
15. Dmitrij Strotsev (Belarus) – Molchanie Adama (Live in Festival Lapa Azora 2008) (1:04)
16. Dmitrij Strotsev (Belarus) – V shersti gorjachej (Live in Festival Lapa Azora 2008) (1:39)
17. Vera Burlak (Belarus) – Ruh (0:40)
18. Dzmitry Dzmitryjeu (Belarus) – Samota (0:59)
19. Viktar Zhybul (Belarus) – Kana-Liza (3:52)

BELGIUM
20. Jelle Meander (Belgium) – Coitus Interruptus (Live 2005) (1:16)
21. Jelle Meander (Belgium) – Kolo kolo (Live 2005) (0:41)
22. Jelle Meander (Belgium) – Ode To Joerg (2:31)
23. Jelle Meander (Belgium) – ZeemZoetLieke (from Synthetic Poems) (0:29)
24. Philip Meersman [DAstrugistenDA] (Belgium) – Barst De Waarheid (3:26)
25. Philip Meersman [DAstrugistenDA] (Belgium) – ein morgen gedicht (5:30)
26. Philip Meersman [DAstrugistenDA] (Belgium) – Gare Du Nord on a Friday Evening (3:17)
27. Philip Meersman [DAstrugistenDA] (Belgium) – Last Post (1:08)
28. Philip Meersman [DAstrugistenDA] (Belgium) – Summary (1:58)

GERMANY
29. Valeri Scherstjanoi (Germany – Russia) – Live in Warszawa 1-2.12.2007 (Selected Zaum Poems 1985-2007) (29:10)
30. David Moss (Germany – USA) – Wittgenstein Sings (2:53)
31. Isabeella Beumer (Germany) – Mouth Navigation (4:01)
32. Hartmut Geerken (Germany) – Paul Scheerbart “Lifakubo iba solla …” (1897) (13:33)
33. Hartmut Andryczuk (Germany) – Hommage to HAL 9000 (0:44)
34. Dirk HuelsTrunk (Germany) – Black Box Part 1 (3:28)
35. Dirk HuelsTrunk (Germany) – Black Box Part 2 (1:53)
36. Dirk HuelsTrunk (Germany) – Black Box Part 3 (4:35)
37. Dirk Huelstrunk (Germany) – Nie (3:26)
38. Michael Lentz (Germany) with Axel Kuehn (Germany) – 4 Fotos (9:15)
39. Michael Lentz (Germany) with Axel Kuehn – Dolfi (6:28)

HOLLAND
40. Jaap Blonk (Holland) – Live in Stuttgart 04.09.2007 (28:30)

RUSSIA
41. Sergej Birjukov (Russia – Germany) with Sergej Letov (Russia) – Kostroma Part 1 & 2 (1:55)
42. Sergej Birjukov (Russia – Germany) – Chlebnikov (Live in Festival Lapa Azora 2008) (1:11)
43. Sergej Birjukov (Russia – Germany) – In Memoriam DADA (1:29)
44. Sergej Birjukov (Russia – Germany) with Sergej Letov (Russia) – Phonocomposition (0:46)
45. Sergej Birjukov (Russia – Germany) – Stihi dlja zevajuschih (Live in Festival Lapa Azora 2008) (1:49)
46. Sergej Birjukov (Russia – Germany) with Sergej Letov (Russia, music) – Suchen Nach Hugo Ball (1:43)
47. Evgenij V. Kharitonov (Russia) – Dali (2007-2008) (3:44)
48. Evgenij V. Kharitonov (Russia) – Angry Poema Part 1 – 4 (6:10)
49. Evgenij V. Kharitonov (Russia) – Argo / Zjar’-poema (2006 – 2008) (9:53)
50. Evgenij V. Kharitonov (Russia) – Poem Of Wind Part 1-3 (6:10)
51. Evgenij V. Kharitonov (Russia) – Urok Istorii (Schjers) (2:52)
52. Vera Sazhina (Russia) – Live Performance in Festival “Lapa Azora” 25.02.2008 (6:56)
53. Alexandr Bubnov (Russia) – Live Performance in Festival LAPA AZORA 2008 (1:51)
54. Alexander Bubnov (Russia) – 4nadstiho (4:08)
55. Razxca aka Mikhail Gusenkov (Russia) – Ukie-e (2008) (0:49)
56. Razxca aka Mikhail Gusenkov (Russia) – Vlad Volochay (Ukraina): Vyhodi v Asju (asq) (8:33)
57. Danila Davydov (Russia) – Live Performance in Festival “LAPA AZORA” 25.02.2008 (1:00)
58. Sveta Litvak (Russia) – Live Performance in Festival LAPA AZORA 2008 (3:39)
59. Dina Gatina (Russia) – Live Performance in Festival “LAPA AZORA” 25.02.2008 (1:04)
60. Alexej Sosna (Russia) – Text-vocal Performance 24.07.2008 (4:36)

UK
61. David Strang (UK) – Audio Piece (5:32)

INTERNATIONAL
62. Hartmut Geerken, Sergej Birjukov & Valeri Scherstjanoi – Live Performans. 3durch3 Stuttgart 19.03.2008 (2:42)

 

 

  1. VIDEO ART & VIDEO/DIGITAL POETRY

Mark W. SUTHERLAND (Canada)

Wasterdmov (.mov)

Elena POPOVA (UK – Russia)

Theory (.mov)

Visual Poetry (.mov)

Snezhana REIZEN (Russia)

Shinellect (.mpg)

[visual & music by Snezhana Reizen]

Eyeorb (Seed-Bed) (.wmv)

[visual by Snezhana  Reizen; Music by Snezhana Reizen & Dmitrij Rubanov]

Edgar SCHERSTJANOI (Germany)

Hugo Ball: Karawane (.avi)

Valerij SILIVANOV  (Russia)

Digital Phonetic & Digital Visual Palindrome’s (.gif, mp3, doc)

III. VISUAL POETRY & SCORES

Sergej Birjukov (Russia – Germany),

Jaap Blonk (Holland),

Tatiana Bounch Osmolovskaya (Russia – Australia),

Ivan Chudasov (Russia),

Tim Gaze (Australia),

Elena Katsuba (Russia),

Konstantin Kedrov (Russia),

Evgenij V. Kharitonov (Russia),

Mikhail Lezin (Russia),

Alexandr Motsar (Ukraine),

Valeri Scherstjanoi (Germany – Russia),

Amanda Stewart (Australia)

  1. ARTISTIC BOOKS / BOOK ART

 

Nikolai Baitov

Dmitrij Zimin

Eduard Kulemin

Sergej Kynchev

Valeri Scherstjanoi

Evgenij V. Kharitonov

  1. IN MEMORIAM

 

Henri CHOPIN (1922 – 2008)

Audiopoems Part 1 (mp3)

Audiopoems Part 2 (mp3)

Anna ALCHUK (1955 – 2008)

Live in Festival Lapa Azora 25.02.2008 (Moscow) (mp3)

  1. LINKS

 

=======================================

 

ANOTHER HEMISPHERE RECORDS

Catalog#: AHRart 001/a (Part 1); AHRart002/b (Part2)

http://www.myspace.com/anotherhemisphererecnetlabel

http://lautpoesie.narod.ru/Another_hemisphere_rec.html

=========================================

DRUGOE POLUSHARIE MAGAZINE:

 

http://drugpolushar.narod.ru/drugPolusharie.htm

Alain Arias-Misson, The Sinking of Venice Poem

28 venerdì Ago 2015

Posted by nuovaletteratura in Senza categoria

≈ Lascia un commento

Tag

alan arias-misson, c'est mon dada, fondazione bonotto, poem, redfox press, The Public Sinking of Venice Poem, venice

The Public Sinking of Venice Poem is a provocative, surprising and ironic project. It took place in the middle of Grand Canal in Venice on May 7, 2015.

“The Public Sinking of Venice Poem explores and develops the relationship between this city-on-water and its worldwide “brand” name: VENEZIA.

“For this exceptional city, the Poet considers Water the appropriate stage for the Word to take place, much better than any other site, square, palace or museum.

In spite of many years spent in the construction of the MOSE dam, due to deep-rooted corruption, the most notorious political-environmental issue in Venice today is its slow sinking into the lagoon.

The Public Sinking of Venice Poem is intended to represent this situation through a highly graphic, moving text.

11924905_922526797806796_8169589829559909721_n

The Public Sinking of Venice Poem is the most recent Public Poem project of Arias-Misson, who invented this form of “urban poetry” in 1966. Since then, Arias-Misson has produced about one Public Poem a year all over the world: each one was originated by a written text realized in and for the city, developed in its streets and public places, outside any art context. Often self-produced, during last years the Public Poems has been sponsored by institutions as: MuhKA – Museum of Contemporary Art of Antwerp, Centre Pompidou in Paris, Kulturhaus of Berlin, Pamplona Museum, the city of Bonn, documented by the Reina Sofia Museum, etc.

with the support of the Fondazione Bonotto”
from http://www.redfoxpress.com/dada-arias.html

C’Est mon dADA is a a collection of small artists’ books
dedicated to experimental, concrete and visual poetry,
or any work combining text and visual arts
in the spirit of dada or fluxus.

 

# 98
ALAIN ARIAS-MISSON (BELGIUM)
“The Sinking of Venice Poem”

Visual Poetry – a Public Poem project.
A6 format – 40 pages – laser printing.
Thread and quarter cloth binding
August 2015
price: 15 euro / 20 US $ / 13 UK Sterling

 

 

Gianni Toti, Tutti i versi

28 venerdì Ago 2015

Posted by nuovaletteratura in Senza categoria

≈ Lascia un commento

Tag

Gianni Toti, onyx ebook, tutti i versi

Gianni Toti
Tutti i versi
Onyx Ebook
Prima edizione novembre 2013
http://www.onyxebook.com/tutti-i-versi/

Altri link: http://www.lacasatotiana.it/giannitoti/

Giornalista, poeta, scrittore, attento indagatore dei linguaggi, autore del limite, approda negli anni ’80 alla video-arte fondendo cinema e arte elettronica, fra poesia e video-arte, creando un personale linguaggio definito “poetronica”.

image

Sarenco and the Visual and Sound Poetry of Italy

28 venerdì Ago 2015

Posted by nuovaletteratura in Senza categoria

≈ Lascia un commento

Tag

1970, flash art, Gruppo 70, homage to Lampiao, mein Gott, sarenco, Sound Poetry

During the 1970s in Italy, a group of visual poets stirred up quite a scene around Florence. The ring leader, a young poet who goes by the name of Sarenco issued a periodical called Lotta Poetica (Poetic War), a communist, anti-imperialist, anti-capitalist monthly devoted primarily to poetry with visual elements.Immaginesar

https://archive.org/details/AM_1972_11_08
http://radiom.org/archives.php?et=intermedia

← Vecchi Post

Iscriviti

  • Articoli (RSS)
  • Commenti (RSS)

Archivi

  • dicembre 2020
  • novembre 2020
  • ottobre 2020
  • settembre 2020
  • agosto 2020
  • luglio 2020
  • giugno 2020
  • maggio 2020
  • aprile 2020
  • marzo 2020
  • febbraio 2020
  • gennaio 2020
  • dicembre 2019
  • novembre 2019
  • ottobre 2019
  • settembre 2019
  • agosto 2019
  • luglio 2019
  • giugno 2019
  • maggio 2019
  • aprile 2019
  • marzo 2019
  • febbraio 2019
  • gennaio 2019
  • dicembre 2018
  • novembre 2018
  • ottobre 2018
  • settembre 2018
  • agosto 2018
  • luglio 2018
  • giugno 2018
  • maggio 2018
  • aprile 2018
  • marzo 2018
  • febbraio 2018
  • gennaio 2018
  • dicembre 2017
  • novembre 2017
  • ottobre 2017
  • settembre 2017
  • agosto 2017
  • giugno 2017
  • maggio 2017
  • aprile 2017
  • marzo 2017
  • febbraio 2017
  • gennaio 2017
  • dicembre 2016
  • novembre 2016
  • ottobre 2016
  • settembre 2016
  • agosto 2016
  • giugno 2016
  • maggio 2016
  • aprile 2016
  • marzo 2016
  • febbraio 2016
  • gennaio 2016
  • dicembre 2015
  • novembre 2015
  • ottobre 2015
  • settembre 2015
  • agosto 2015

Categorie

  • Senza categoria

Meta

  • Registrati
  • Accedi

Blog su WordPress.com.

Annulla
Privacy e cookie: Questo sito utilizza cookie. Continuando a utilizzare questo sito web, si accetta l’utilizzo dei cookie.
Per ulteriori informazioni, anche sul controllo dei cookie, leggi qui: Informativa sui cookie